Summary
Jill Breck inherited her family's Arizona homestead after her aunt died, but the dozen unframed and unsigned paintings turn out to be the real family legacy. Jill realizes something's not right when no one in the art community will respond to her questions about the artwork, but it's the threatening message and shredded painting that make her call St. Kilda.
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Critique
This is the third book in the St. Kilda Consulting series. The background on Western art and the sometimes shady world of art ownership adds great dimension to the fast-paced action. Recommended reading.
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